BRACH CZAINA SZCZELINY ISTNIENIA PDF

Tekst kuratorki wystawy: Agaty Nowosielskiej. Agata Nowosielska agatanowosielska. Agata Nowosielska agatanowosielska nepenthe. Pani Kurator.

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This site uses cookies. See our privacy policy to find out more. Every fact, every second, is singular for the individual and can never be repeated. This is why I record common and trivial events such as eating, sleeping, copulation, resting, speaking, and so on.

Twenty years later, philosopher Jolanta Brach-Czaina published the essay Cracks in Existence , which became one of the most important sources of inspiration for Polish feminists at that time. These two texts are primarily connected by the idea that participation in reality can lead to transcendental experiences or to reflection on the functioning of man in the modern world, and in particular on the position and role of women.

The exhibition States of Focus will be viewed by the audience accompanied by Natalia LL, the main protagonist of the presentation, from the perspective of how neo-avant-garde women artists as well as those active after the publication of Cracks in Existence approached elements of their everyday life.

By inscribing their experiences in the field of art, the artists transformed them into more universal statements, inspired, among other things, by the assumptions and problems raised by the feminist movement at the time.

Agnieszka Rayzacher is an art critic and curator of exhibitions. Share: Facebook , Twitter. Admission to the exhibition is only for people over 15 years old. Your Personal Data, available for use during website viewing, will be used only for marketing purposes automatised analysis of your website or application activity in order to determine your potential interests and connect them with the advertising offer.

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DIODE 1N5401 PDF

Jolanta Brach-Czaina

Following their first collaboration, Pierre Boeswillwald offered to compose a piece dedicated to the Warsaw-based butoh artist. Having danced for over twenty years, I keep asking myself questions about butoh. Can one dance butoh in a way it used to be danced in the past? What would new butoh be like, and is it possible at all? I have been looking for answers, going back to the roots, knowing that repetition is impossible. Electroacoustic music carries a special weight with me — I have always found it fascinating. A soundscape that constitutes an independent universe.

DS 25134 PDF

Jolanta Brach-Czaina

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