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Best viewed without Internet Explorer, in x resolution or higher. While no song on this album can stand up to the title song on Burn probably the greatest metal song from the 70s by any band , I probably like this album as much as Burn, just for different reasons. Whether Blackmore and Lord are running the show with the new guys just following along Burn , or the new guys are taking the reigns and influencing Blackmore's near future decision to quit The Purple Stormbringer , this band just simply makes interesting, varied music that needs to be heard and enjoyed by any fan of 70s heavy metal and hard rock.
Hughes and Coverdale just have excellent voices on this album, often harmonizing for these amazing choruses Hold On. It really just makes you want to sing along, even if you can't sing worth a damn. It must be admitted that Lord and Paice have a smaller presence on here than on Purple albums before, with Paice's drumming simply keeping time in many of the songs, and Lord really only shining on the title track, and particularly on High Ball Shooter, in the sense of having one of his amazing Hammond solos think back to the end of Might Just Take Your Life on Burn, or the middle section of Flight of the Rat on In Rock.
Otherwise, he blends into the background, often to the point of being hard to even particularly pick out. I listened to Come Taste the Band once, and it seemed as though Purple had moved too far away from what they were good at, and I recall an album filled with rather boring, plain rock songs. That is NOT the case on Stormbringer.
Outside influences are used to perfectly compliment a somewhat "restrained" Purple sound, and it's just a fact that it produces nine amazing songs, all of which can be enjoyed, and all of which are worthy candidates to fit somewhere on a carrer-wide highlight reel for the band. It's a shame that Ritchie's loss of creative control on this album made him feel up to quitting the band, but this album shows that Purple had other amazing songwriters and contributors.
Check out Stormbringer right away. You'll love the title track if you love Burn, with it's aggressive lyrics, metal attitude, and slightly "cheesier" Lord textures that still sound badass.
Then give yourself a little bit of time to let the rest of the album sink in. It may take a few listens, but this may very well end up as one of your favorite Purple albums.
Check out the lyrics on the album too: equally introspective, soulful, and telling some interesting stories and ideas which, while not traditionally "metal", are still awesome. After delivering the goods in Burn , a couple of mid-talented guys, David Coverdale and Glenn Hughes, thought they could do it even better and started to take control of the issue. This is the point when we start to see the downfall of the finest heavy metal band of its time, alongside Black Sabbath, pioneer of the genre.
If you wonder why DP took this direction after such a great album, well, it's a mystery, but a common mystery in Purple's history. DP had its moments when a kind of a hybrid process took place. The thing is that here, in Stormbringer , we can't know if it is about a negligence from Blackmore, or maybe the guys gave a chance to Coverdale and Hughes to take the poll. Regardless of this, well, the influence of the newbie couple is extremely superior in this release comparing to the earlier one and this gives a different, maybe odd and original, but weak and inferior sound for this release.
The title track "Stormbringer" is the finest hour in the record. Here we get all the ingredients that made DP an unique force in the early heavy metal world. Blackmore's killing riffs and solos, Maestro Lord filling the atmosphere with his keyboarding, Paicey beating the hell out with his drums and, well, Coverdale and Hughes doing what they always should have done: follow the lead by the three guys cited above.
The lyric here is, maybe, one of the most violent ones in DP lyrical universe: "Ride the rainbow, crack the skies; Stormbringer coming, time to die! But, from then on there is nothing more. We shall meet a funky bluesy groovy world beyond anything we have heard and we could have liked from DP.
Sounds kinda like today's favourite style in Classic Rock stations in America, a song that you would like to listen while driving your vehicle between arid zones and some mountains around Arizona, maybe. But that's not DP! Deep Purple was always about power, seeking and destroying. This could make me sound like a purist, a traditionalist without wishes to accept some changes.
But man, if we can criticise Who do We Think We Are , why can't we do the same here, specially if we find almost the same failures??
Same thing happens with "Holy Man". Besides of a tender and nice guitar intro by Blackmore, there is nothing more than trying to sound groovy and cool. Then, we reach the climax with "Hold On". To me, the worst song here. And excuse me, because actually is not a bad song. But for DP standards, is no more than a mediocrity.
It's like having the same like the previous song, but with more groovyness and wanting even more to sound like 70's rock. Every second later it feels like you are deeply returning through the paths of Who do We Think We Are without Gillan's singing and with more funky in the veins.
Then, "Lady Double Dealer" reaches the stage and, unfortunately, fails to explode and lingers, dwells like a dwarf star. It's not as mediocre as the whole album but, in the same time, it does not reach the "classic" level of the finest creations by the band.
It's obvious, notwithstanding, that here, is Blackmore the one who leads the beat with that powerful riff. But somehow, that's all. Nothing more than a nice riff. Jon Lord is almost vanished and Paice does nothing but to follow the line. So, well, no Purple spirit here. Again, a magic riff by Blackmore gives us, maybe, the second nice song in the whole album. Somehow, under Blackmore's fingers in the strings, you are knocking with a smooth paice your head. This song is a personal favourite, without having the usual power and "metalness" by DP.
If you like bluesy funky groovy rock, well, there you got a masterpiece. Quite enjoyable if you are up to heavier sounds. But, hey, this is not DP!!. Even if you might be singing the chorus all day long, well, this is not DP. The finest thing here is the return of Jon Lord doing his thing.
And, well, it has the best shared-lyrical lines by Coverdale and Hughes. Then, a nice intrumental "High Ball Shooter" leads us to "Gypsy" and its spacey sound. This one could have been a great song if the Purple spirit was there. But sounds, again, AOR, trying to look cool; sounds again like 70's rock instead of traditional heavy metal.
Finally, the ballad "Soldier of Fortune" is a nice shot. The whole collection of ballads by Deep Purple which is not so big is good and this piece does not fail to enter in that realm. Not many words to say about it. So, when Coverdale and Hughes took the lead with a little influence, yet, of Blackmore and the rest of the founding members , well, they tried to sound exactly as how most of the popular bands sounded during those days.
But in terms of DP, is no more than a mediocrity, saved only by some lick of influence provided by Blackmore, Lord and Paice. No Purple spirit. With the departure of Ritchie Blackmore, the guitar god, and with the leadership of Jon Lord and Ian Paice reduced to something near to the definition of accesories, David Coverdale and Glenn Hughes would almost give a fatal blow to the glorious career of this pioneer band with the next record to come. But that's another tale. Stormbringer is no doubt the most interesting Deep Purple album ever put out, it has a weird mixture of funk, soul, and blues.
Stormbringer has got to be the most unique Deep Purple album. It's unique because of the combination of the different genres, and because if somebody heard this album, but didn't know what band it was, Deep Purple would most likely be the last band they would think of when quizzed about it. When people think of Deep Purple, this is definitely the last album they would imagine to be apart of the Purple discography.
Every band has that one album where it sounds nothing like something the band would normally produce. Stormbringer is definitely that album for Purple. Albums like Stormbringer, obscure part of Purple's discography, deserved to be acknowledged and listened to, because it shows a different side of Purple that really shows that Blackmore is a versatile guitarist. The first time I heard this album, I was immediately turned off by the intro keyboards on the title track.
It was just too weird and funky for me to appreciate. After listening to the album several times after that, I realized it's a great album with some masterful song writing that perfectly combines the elements of funk, soul, blues, and rock. The title track, is the strongest song on the album. It has a catchy riff, great melodies and great song structure.
The solo is melodic and it really fits with the song wonderfully. I wouldn't really say that there's a really weak track on this album. Every track is different as it jumps around with different elements of the genres already mentioned in this interview, being the forefront for each different track.
The track 'Hold On' sounds like it would be something from some old school motown band. Most bands put ballads in the middle of an album, which sort of ruin the flow of it if the rest of the album isn't ballad-like, but ending the album with a ballad, is a good way to close an album. Stormbringer is a very interesting, unique, and truly underrated masterpiece from a line-up that doesn't seem to get enough love like it deserves. Both Burn and Stormbringer are amazing albums.
This album definitely is for a more established Purple fan, rather than someone just getting into it, because they could very easily be turned off by it. It doesn't have the heaviness that traditional Purple albums have. Stormbringer is a great album to just relax and get stoned while listening. Stormbringer is the perfect stoner album.
If one were to expect an album simliar to "Burn" then that person is going to be thrown in for a loop. The remarkable thing is that both "Burn" and the album being reviewed, "Stormbringer", were released the same year yet both have significantly different sound and style to them. It may have something to do with the amount of drugs being taken by Glenn Hughes and David Coverdale, but that is a discussion for another day.
The one aspect that is evident is the amount of blues and soul infused into the songs and it is understandable why master axe man Ritchie Blackmore would be upset. The songs that shine on here are the ones Ritchie goes full force with his famous Fender Stratocaster and when his riff playing is the main component featured.
His catchy, intricate up-tempo riffing is the main highlight found here. This also brings out the brilliance of Jon Lord because the double team of his keyboards and Ritchie's guitar playing is unmatched by any other band. The dueling vocals of David Coverdale and Glenn Hughes return and again they are very impressive to hear.
deep purple - stormbringer score
The cover image of Stormbringer is based on a photo. It is the name of a magical sword described in many novels and comics by Moorcock and others which enjoyed enormous success in the s and 70s. David Coverdale has denied knowledge of this until shortly after recording the album. According to Glenn Hughes, the slurred gibberish that is spoken by Coverdale at the beginning of the title track just prior to the first verse is the same backwards dialogue that Linda Blair 's character utters in the film The Exorcist , when she is questioned by the priest.
Deep Purple - Stormbringer Score