ERKKI HUHTAMO PDF

Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion , Erkki Huhtamo excavates this neglected early manifestation of media culture in the making.

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He is a media archaeologist, author, and exhibition curator. At DMA his areas are the history and theory of media culture and media arts. He is internationally known as a pioneer of an emerging approach to media studies called media archaeology. It excavates forgotten, neglected and suppressed media-cultural phenomena, helping us to penetrate beyond canonized "grand narratives" of media culture.

What may seem new things often prove to be just newly packaged ideas repeated during hundreds and even thousands of years. Professor Huhtamo has applied this approach to phenomena like "peep media" a notion he has coined , the screen, panoramas and dioramas, video games, and mobile media.

Professor Huhtamo's most recent books are Media Archaeology. Approaches, Applications, and Implications ed. He has served in many art exhibition and festival juries, including Siggraph, Ars Electronica, and the Interactive Media Festival. His writings have been translated into twelve languages, with new single-authored books in Italian and Japanese coming in Professor Huhtamo has also adapted his ideas to stage works.

More recently Professor Huhtamo introduced Mareorama Resurrected, a stage work that features a reconstruction of a nineteenth-century moving panorama and live piano music performed so far in Los Angeles, Chicago, and Pittsburgh , and From Dole to the Pole, or Professor Huhtamo's Daring Adventures Los Angeles, The latter performance features authentic nineteenth-century magic lanterns and hand-painted lantern slides, live music, and 'follies' sound effects.

Professor Huhtamo owns an extensive collection of antique optical viewing devices and documents, such as magic lanterns, peep show boxes, camera obscuras, praxinoscopes, kinoras, etc.

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Erkki Huhtamo

Since the mids, Huhtamo has written his research in English. It has covered a wide range of issues related with media culture and the technological arts, including interactive media, simulator entertainments, the genealogy of the screen, "peep media" a notion he has coined , [2] stereoscopic art and media in public spaces. His work has often been aimed to excavate, resurrect and analyze neglected and forgotten media. One of its guiding lines is the combination of topos theory with media archaeology. Things that seem unprecedented, and are promoted as such by cultural agents, may in fact be topoi in disguise. Huhtamo worked as the programmer of the Muu Media Festival, Helsinki, between

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Sold by: Amazon. Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion , Erkki Huhtamo excavates this neglected early manifestation of media culture in the making.

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