LIBERTANGO GUITARRA PDF

Musical Advisor: Takeshi Tezuka. Once more, these excellent performers select a varied repertoire of the highest quality. They attend to every detail of the delicate combination of flute and guitar while also giving consideration to the intimate space that each individual instrument represents. This record shows the maturity of the duo who are used to choosing and analyzing their repertoire carefully, who give shape to their interpretations through several live performances before recording them. The journey through the subtle landscape of wood and wind continues…. Both songs share the delicate and enigmatic sounds of the Oriental tradition.

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Musical Advisor: Takeshi Tezuka. Once more, these excellent performers select a varied repertoire of the highest quality. They attend to every detail of the delicate combination of flute and guitar while also giving consideration to the intimate space that each individual instrument represents.

This record shows the maturity of the duo who are used to choosing and analyzing their repertoire carefully, who give shape to their interpretations through several live performances before recording them. The journey through the subtle landscape of wood and wind continues….

Both songs share the delicate and enigmatic sounds of the Oriental tradition. The pieces are based on poems by Hakushu Kitahara Fukuoka — Tokyo, It opens with a fluent melody reminiscent of a beach landscape before moving towards the sand hills, announced by percussive effects on the guitar and represented by jazzy unison passages.

American composer Richard Patterson North Carolina, is a guitarist, teacher and composer. Since he has been performing in a duo with his wife, a flute player. The flute joins in, initially in harmony with the guitar. Gradually the flute frees itself from the regular patterns of the guitar and develops its own melodic character.

Halfway through the work, the music rests in a quiet adagio. Then the guitar provides a stair from whose top the flute can resume its contemplation of the fields. Regarded as one of the most influential composers of the 20th century, this cosmopolitan Argentinian merged classical and popular music masterfully.

His agent, Aldo Pagani, asked him to compose a song no longer than three minutes, suitable for radio and jukeboxes. The album title is also the name of the main number, which became a hit in Italy. The setting included bandoneon, Hammond organ, marimba, low flute in C, bass guitar, electric guitar, drums, percussion and a string orchestra.

The present arrangement for flute and guitar approaches the tango with great transparency. His statement is not surprising, since this tango probably is his finest work. It was written in memory of his father who was known as Nonino a few days after his death, in October After a tour in Central America, Piazzolla had returned to New York, where he had been living for a year.

His attempt to develop a tango-jazz style was unsuccessful; he felt depressed, had financial problems, and longed to return to Argentina. Then he arranged it for his quintet: bandoneon, violin, piano, electric guitar and double bass. Countless versions of this work have been made. The mastery with which the flute approaches the tango rhythm stands out, as do the subtle range of emotions displayed by the guitar during the famous lamentation passage, one of the jewels of Argentinian music of all times.

Facebook Twitter. Volumen II. Luis Orden, flute. Content Tadashi Sasaki Dos Canciones Japonesas. Photography and Texts: Santiago Delgado Llopart.

Volumen II cantidad. Volumen II Music for flute and guitar.

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